DOUG HALL
Born: 1944 San Francisco, California
Education: 1969 Rinehart School of Sculpture of the Maryland Institute College of Art, Baltimore, Maryland, M.F.A., Sculpture
1967 Skowhegan School of Painting and Sculpture, Summer
1966 Harvard University, B.A., Anthropology, 1966
SELECTED SOLO EXHIBITIONS:
2009 In Retrospect, Rena Bransten Gallery
2006 Some Places, Numark Gallery, Washington
2005 Doug Hall: Photoghraphs, Rena Bransten Gallery, San Francisco
Doug Hall, Feigen Contemporary, New York
In Finite Spaces, Polk Museum, Lakeland, Florida
Doug Hall's GDR Project Revisited, Galerie Kapinos, Berlin
2004 In Finite Spaces, Sesnon Gallery, UC Santa Cruz, Santa Cruz, CA
In Finite Spaces, University Art Gallery, UCSD, San Diego, CA
In Finite Spaces, Sophie Newcomb Gallery, Tulane University, New Orleans, LA
2003 Doug Hall, Centro de Arte de Salamanca, Salamanca, Spain
Doug Hall, Opera Houses, Feigen Contemporary, New York, NY
Doug Hall, New Work, Rena Bransten Gallery, San Francisco
2001 Doug Hall, 20.21 Galerie Edition Kunsthandel, Essen Germany
Doug Hall, Photographs, Bellvue Museum, Bellvue, Washington
Doug Hall, Feigen Contemporary, New York
Some Places, Rena Bransten Gallery, San Francisco
1999 Near and Far, Galerie Micha Kapinos, Berlin
Doug Hall: Photographs 1989-1998, Feigen Contemporary, New York, NY
1998 Pictures, Rena Bransten Gallery, San Francisco
1997 Dogenhaus Projekt, Berlin, Germany
Appearance [advancing & retreating], Rena Bransten Gallery, San Francisco
1995 Terminal Landscape, Rena Bransten Gallery, San Francisco, September
1994 Das DDR-Projekt, Kunst-Werke, Berlin (and traveling)
Doug Hall: Projects, Rena Bransten Gallery, San Francisco
1993 UNIVERSITY, University Art Museum, Berkeley
1992 People and Buildings, Shoshana Wayne Gallery, Santa Monica, CA
1991 Film Forum, Tokyo, Japan
1990 Sexo E Violencia, Centro Cultural Sao Paulo, Brazil
Doug Hall: New Work, Fuller Gross Gallery, San Francisco
The Terrible Uncertainty of the Thing Described, Portland Museum of Art, Oregon,
1988 Doug Hall: New Work, Fuller Gross Gallery, San Francisco, CA, 1988
1987 Doug Hall: The Spectacle of Image, Institute of Contemporary Art, Boston,
Pacific Film Archive and Matrix Program, University Art Museum, Berkeley,
The Plains of San Augustin, Virginia Museum of Art, Richmond, VA
1986 The CAT Fund Presents, Institute of Contemporary Art, Boston, MA
The Victims' Regret, Carnegie Museum, Pittsburgh, PA
Works on Paper, Ted Greenwald Gallery, New York
1985 The American Center, Paris, artist-in-residence
1984 The Victims' Regret, University Art Museum, Berkeley, CA
Machinery for the Re-education of a Delinquent Dictator, Whitney Museum, New York
The Institute of North American Studies, Barcelona, Spain
1983 The Tyrant's Last Dream, 80 Langton Street, San Francisco
1981 The Great Confrontation, Los Angles Institute of Contemporary Art
The Anthology Film Archives, New York
1980 Situations for Main Street, 1708 East Main Street, Richmond, Virginia,
The Washington Project for the Arts, Washington, D.C.
The Amarillo News Tapes, The Long Beach Museum of Art, Long Beach
The Great Confrontation, installation, 80 Langton Street, San Francisco, CA
1979 I Hardly Ever Leave This Room, University Art Museum, Berkeley, CA
1978 Edited by Fire, La Mamelle Arts Center, San Francisco
1976 The Eternal Frame, video installation, The Long Beach Museum of Art
The Eternal Frame, video, The San Francisco Mobius Video Festival
SELECTED GROUP EXHIBITIONS:
2008 History Will Repeat Itself. Strategies of Re-enactment in Contemporary Art,
Center for Contemporary Art, Ujazdowski Castle, Warsaw
Goethe-Institut, Hong Kong
California Video, The J Paul Getty Museum, Los Angeles
Broadcast Yourself, Cornerhouse, Manchester, UK
Broadcast Yourself, Hatton Gallery, University Upon Tyne, UK
Phtotscapes, Kinz, Tillou + Feigen, New York
2007 History Will Repeat Itself: Strategies of Re-enactment in Contemporary Media Art
and performance, Hartware MedienKunstVerein, Dortmund, Germany, Kunst-
Werke, Berlin Cross-Border, Kunstmuseum, Stuttgart
2006 The Last Show, Numark Gallery, Washington, DC
Playback – Simulated Realities, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
Modern Photographs: The Machine, The Body, and the City: Gifts from the Charles Cowles Photography Collection, Miami Art Museum, Miami, Florida
Imposing Order: Contemporary Photography and the Archive, San Francisco Museum of Modern Art
Furnishing Assumptions, Rena Bransten Gallery, San Francisco
Summer View, Feigen Contemporary, New York, July 12- August 26, 2006
2005 On View: Photographing the Museum, Yancey Richardson Gallery, New York
Downtime: Constructing Leisure, New Langton Arts, San Francisco
2004 Dreamscapes, Aeroplastics Contemporary, Brussels, Belgium
Doug Hall, Vik Muñiz, Christina Iglesias, Kara Walker., Barbara Krakow Gallery, Boston, MA
Landscape, Rena Bransten Gallery, SF, CA
ARTitecture, Rena Bransten Gallery, SF, CA
The Grey Area: Uncertain Images (Bay Area Photography 1970's to Now), California College of the Arts, SF, CA
Contemporary Spaces, Underlying Culture, Photographs by Philip-Lorca diCorcia,
Doug Dubois, Doug Hall, Louise Lawler, and Georges Rousse. Museum of Art, Brigham Young University
The Discerning Eye: Southern California Collects¬, Museum of Photographic Arts, San Diego
2003 Parallax Views, Art and the JFK Assassination, Hallways Contemporary Arts Center, Buffalo, NY
Pretty as a Picture, Carrie Secrist Gallery, Chicago, IL
Environs, Feigen Contemporary, New York
Affinities…Now and Then, H & R Block Artspace at The Kansas City Art Institute, Kansas City, MO
2002 The Photographic Impulse: Selections from the Joseph and Elaine Monsen Collection, Henry Art Gallery, University of Washington
Iconos Metropoltanos; Vanessa Beecroft, Nancy Davenport, Lucinda Devlin,
Doug Hall, Shirin Neshat, PROA Fundacion, Buenos Aires, Argentina
Time Share, Sarah Meltzer Gallery, New York, June 19-July 26, 2002
Asphalt, Elias Fine Art, Allston, MA
Divine the Grid, Vedanta Gallery, Chicago
Individuality, Saks Fifth Avenue, New York, NY
Family, The Aldrich Museum of Contemporary Art, Rdgefield, CT
XXV Bienal de Sao Paulo, Sao Paulo, Brazil
First Decade: Video from the EAI Archives, Museum of Modern Art, New York
2001 WestWorld, Mary Boone Gallery, New York City
There, Not Here?, Fine Arts Center Gallery, University of Rhode Island
A Private Reading: The Book as Image and Object, Senior and Shopmaker Gallery, New York
Present Compose, Ottowa Art Gallery , Canada
Paradise in Search of a Future, CEPA Gallery, Buffalo, NY
Depicting Absence/Implying Presence, Institute of Contemporary Art, San Jose, CA
Video Time, (Part of Open Ends. The final cycle of MOMA 2000, Museum of Modern Art, New York)
2000 Made in California - Art, Image, and Identity 1900 – 2000, Los Angeles County Museum of Art
Between Heaven and Earth, New Classical Movements in the Art of Today, Museum voor Moderne Kunst, Oostende, Belgium
Photography Now, Contemporary Arts Center, New Orleans, Louisiana
Vision Ruhr, Dortmund Germany, Zeche Zollern II/IV, Dotmund, Germany
Beyond Boundaries: Contemporary Photography in California, University Art Museum, California State University, Long Beach; Santa Barbara
Contemporary Arts Forum; Friends of Photography, San Francisco
Museum Pieces: Bay Area Artists Consider the De Young, De Young Museum, San Francisco
1999 Eye Candy, Rena Bransten Gallery, San Francisco
Summer Reading: Photographs of Books, Yancey Richardson Gallery, New York
Imago 99, Centro de Fotografia, Universidad de Salamanca, Spain
1998 Plugged In, Haines Gallery, San Francisco
Ground Control, Lombard/Fried Gallery, New York
Matrix: Twenty Years, University Art Museum, Berkeley
1997 Inside Story, Rena Bransten Gallery, San Francisco
Rethinking Topographies, Gallery RAM, Santa Monica
Spaces and Forms II, Maryland Institute College of Art
1996 Dislocations, Philadelphia Museum of Art, Pennsylvania
Annual Exhibition, American Academy in Rome, Rome, Italy
Noch nie gezeigt, Berlinische Galerie, Martin-Gropius-Bauu, Berlin
System Aesthetics: Works from the Permanent Collction, San Francisco Museum of Modern Art
1995 Endurance Art, Exit Art/The First World, New York
Photography after Photography, Aktionsforum Praterinsel, Munich
1994 Identity, The Logic of Appearance, Galerie Krinzinger, Vienna, Austria
1993 Les Lieux de Video: International Video Art Exhibition, United Media Arts and The Durham Art Gallery, Durham, Ontario, Canada
bODD, "Art 24 '93," Basel, Switzerland
Out of Place,Vancouver Art Gallery, Vancouver, Canada
Video: Two Decades, Museum of Modern Art, New York
Art at the Armory: Occupied Territory, Museum of Contemporasry Art, Chicago
1992 Revelation / Transformation: Selected photographs, Rena Bransten Gallery, San Francisco
Transparent: Dokumentarische Zonen in Video, Medienwerkstatt, Vienna, Austria 1991 A Presumption of Faith, Christopher Grimes Gallery, Santa
Monica
1990 Waterworks, Long Beach Museum of Art
New Acquisitions, San Francisco Museum of Modern Art
Bay Area Media, San Francisco Museum of Modern Art
1988 Witness, Fuller Gross Gallery
Doug Hall, George Kuchar and Het Weer, Kijkhuis, The Haag, The Netherlands
Video Art 1988, The Oakland Museum, Oakland, CA
American Landscape Video: The Electronic Grove, The Carnegie Museum of Art, Pittsburg, PA; The San Francisco Museum of Modern Art;
The Newport Harbor Museum
World Wide Video Festival, The Hague, The Netherlands
1987 Japan 87 Video Television Festival, Tokyo, Japan
The Importance of Drawing, Fuller Goldeen Gallery, San Francisco
1986 National Video Festival of The American Film Institute, AFI Campus, Los Angeles
Video Installed, New Langton Arts, San Francisco
3rd International Video and Television Festival, Montbelliard, France, (exhibition catalogue)
1985 Video Nacht, NDR, Hamburg,
Resolution: A Critique of Video Art, Los Angles Contemporary Exhibitions,(catalogue)
A Passage Repeated, Long Beach Museum of Art (exhibition brochure)
San Francisco International Video Festival, various Bay Area art spaces, (catalogue)
Whitney Museum Biennial Exhibition, New York, (exhibition catalogue)
Video from Vancouver to San Diego, Museum of Modern Art, New York, NY
1984 2nd Video Rio, Centro Cultural Candido Mendes, Brazil, (exhibition catalogue)
Video: A Retrospective, Long Beach Museum of Art, (exhibition catalogue)
Mediated Narratives, Institute of Contemporary Art, Boston and traveling, (exhibition brochure)
National Video Festival, American Film Institute, Los Angles, CA (exhibition catalogue)
Video '84, Place Guy Farreant, Montreal, Canada
Heroes/Anti-heroes, Contemporary Arts Museum, Houston, (exhibition brochure),
The Science of Fiction, The Fiction of Science, Video Data Bank and the Art Institute of Chicago, video
Video: Recent Acquisitions, Museum of Modern Art, New York
California Video: 1984, Long Beach Museum of Art, CA, (exhibition catalogue)
2nd International Video Festival, Montbeliard, France
Primero Festival Nacional de Video, Madrid, Spain
Berlin Film Festival, West Germany, (exhibition catalogue)
From TV to Video, From Video to TV, Cineteca Communale, Bologna, Italy, (exhibition catalogue)
United States Film and Video Festival, Park City, Utah, (exhibition brochure)
1983 Prime Time Video, Institute of Contemporary Art, Boston, video respective, (exhibition brochure)
5 Installations, Visual Studies Workshop, Rochester, NY, "Machinery for the
Re-Education of a Delinquent Dictator", video installation (exhibition publication)
About T.V., Just Above Midtown Gallery, New York, curated by Robert Atkins, video
When Words Become Works, The Minneapolis College of Art and Design and the Walker Art Center, Minneapolis, Video
The San Francisco International Video Festival, various Bay Area museums, (exhibition catalogue)
Awards in the Visual Arts 2, Museum of Contemporary Art, Chicago; The Mint Museum, Charlotte, NC; and the DeCordova Museum, Lincoln, MA,
works on paper and video installation (exhibition catalogue)
Funny/Strange, Institute of Contemporary Art, Boston, MA, video group exhibition
New American Video, Kunsthaus, Zurich, Switzerland, group exhibition
Video/TV: Humor/Comedy, curated by John Minkowski and Media Study, (exhibition catalogue), travelling exhibition
The Whitney Museum Biennial Exhibition, New York, video (catalogue)
Reading Video, The Museum of Modern Art, New York, group exhibition
1982 The San Francisco International Video Festival, various Bay Area museums, (exhibition catalogue)
Festival of Festivals, Toronto, Canada, videotapes
The Denver Film Festival, Colorado
Media Study, Buffalo, New York, performance
Input '82, Toronto, Canada, video
The United States Film and Video Festival, Park City, Utah, (exhibition catalogue)
1981 Protopia '81, Tokoyo, Japan (exhibition catalogue)
The American Film Institute Video Festival, Washington, D.C., June (Exhibition catalogue)
Independent Vision, The American Center, Paris, group exhibition, video
1980 Videoart: The Electronic Medium, Museum of Contemporary Art, Houston, group exhibition
The San Francisco International Video Festival, various Bay Area museums and art spaces, video, (exhibition catalogue)
1979 Space/Time/Sound-1970's: A Decade in the Bay Area, group exhibition, The San
Francisco Museum of Modern Art, (exhibition catalogue)
1978 Two Channel Video, (group exhibition), The Whitney Museum of American Art, New York
1977 Documenta 6, video, Kassel, Germany, (Exhibition calatogue)
ARTICLES, ESSAYS, AND BOOKS:
Interview, Doug Hall: In Finite Spaces, Newcomb Art Gallery, 2003. Interview ppgs. 39-45
Doug Hall, catalog essay, Between Earth and Heaven, Museum voor Moderne Kunst, Oostende, Belgium, 2001
Hall, Doug. "Virtual Reality: Seduction and Affect," Video Networks, Vol. 16, Number 3, June / July 1992, pp. 7 - 9.
Hall. Doug, "Das DDR-Projekt", Fotogeschichte,, Jahrgang 13, Heft 49, 1993, Jonas Verlag für Kunst und Literatur, Marburg, Germany, pp. 43-60.
Hall, Doug, "Concerning Virtual Reality and the Bioapparatus," in Virtual Seminar on the Bioapparatus, Catherine Richards and Nell Tenhaaf editors, The Banff Center for the Arts, Departments of Art Studio and Media, Banff, Canada. 1991
Hall, Doug and Fifer, Sally Jo, editors and introduction, Illuminating Video: An Essential Guide to Video Art, Aperture Books, spring, 1991.
Hall. Doug, "Notes on Neighborhood Watch," catalog essay for Photography after Photography, Verlag der Kunst, 1996 (German and English editions, pp. 194-197)
Hall, Doug, "Artist's Imitations: The Way Things Look," Wet Magazine, Los Angeles, January, 1980
Hall, Doug, "Ronald Reagan: The Politics of Image," Video 80, Issue #4, San Francisco, Spring, 1982
Hall, Doug, "Thoughts on Landscape in Nature and Industry," Resolution: A Critique of Video Art, Patti Podesta editor, Los Angeles Contemporary Exhibitions , 1986, pp.36-42.
Hall, Doug, "Forgotten Tyrant," Poetics Journal, No. 5, May, 1985, pp. 96-100.
Hall, Doug, "Video Art: A Short History (on the head of a pin)," Video Networks, Vol. 11, No. 1, December/January 1986/1987 (Bay Area Video Coalition), pp. 21-22.
Hall, Doug, "Video Installation and the Alternative Space," New Langton Arts: The First 15 Years, New Langton Arts, 1991 (pp. 44 - 48).
PUBLIC COLLECTIONS:
Berkeley Museum of Art, University of California, Berkeley
Berlinische Galerie, Martin Gropius Bau, Berlin
The Broad Art Foundation
Centre George Pompidou, Paris
Mildred Lane Kemper Art Museum, St. Louis
Kunsthaus, Zürich
Long Beach Museum of Art, CA
Miami Art Museum, Miami, Florida
Moderna Museet, Stockholm, Sweden
Museum für Moderne Kunst, Vienna
Museum of Modern Art, NY.
Museum of Contemporary Art, Chicago.
San Francisco Museum of Modern Art, CA
Whitney Museum of American Art, NY
FELLOWSHIPS/GRANTS:
1999 Flintridge Foundation Visual Artists Award
1995-96 Individual Artists' Fellowship, National Endowment for the Arts. Other Genres
1995-96 The Gilmore D. Clarke & Michael Rapuano Rome Prize in Visual Arts, The American Academy in Rome
1992-93 Artist Fellowship, California Arts Council
Winter, 1992 Fellowship for research and productiion at The Banff Center for the Arts, Alberta, Canada
1991-92 John Simon Guggenheim Memorial Fellowship
1989-91 National Endowment for Arts, Media Arts Production Fellowship
1989 Rockefeller Foundation Fellowship (through the Bay Area Video Coalition to edit collection of writings on video art)
1989 National Endowment for the Arts National Services (to edit video anthology)
1989 National Endowment for the Arts Visual Artists Forum (to edit video anthology)
1988-89 Western States Regional Media Arts Fellowship
1988-89 Fulbright Senior Lecture Fellowship, Brazil
1986-87 Massachusetts Council for the Arts and Humanities, New Works Program
1985-86 National Endowment for the Arts (Media Arts), Contemporary Art Television Fund Production Grant
1984 William and Flora Hewlett/Film Arts Foundation Video Production Grant
1983 James D. Phelan Award in Video Art Awards in the Visual Arts 2
1979-80 Individual Artists' Fellowship, National Endowment for the Arts
1966-69 Rinehart Fellowship for Graduate Study